badseed1980: (Default)
[personal profile] badseed1980
This sounds pretty cool! I found it while looking at a page on Nuit:

Erotic Dance
Erotic dance was a sacred ritual in ancient Egypt, common in fertility rituals and sex magick. The most famous was the erotic dance of the priestesses of Het Heret [whom the Greeks called Hathor], but also common in the temples of Bast, Aset [Isis], and Nuit.

During the erotic dance ritual, the priestess would actually become the Goddess in all Her glory. According to the ancient texts, during the erotic dance ritual the priestesses would achieve visionary orgasm in which great truths were revealed.

Descriptions of sacred erotic dance, along with beautiful erotic paintings, were routinely destroyed by Christian and Moslem archaeologists with the notation “pornography — destroyed”.

Erotic dance ritual, particularly in the temples of Het Heret and Sekhmet, was often accompanied by the drinking of red beer.

The erotic dance of Tamera (ancient Egypt) was in some ways different than that of some modern strip bars.

The erotic dance of the priestesses was viewed as a holy activity. As a typical example, the priestesses of Het Heret [Hathor] were reknown for their erotic dance ritual as part of sex magick fertility rites.

Het Heret was the over-arching sky cow Goddess, associated with fertility and bounty and plenty. Married couples would go to the temples of Het Heret for fertility rites that would hopefully lead to a successful pregnancy. The temples were filled with sweet smelling incense. Typically sweets and red beer or golden ale would flow freely. The priestesses of Het Heret would dance to the rhythms of live drumming. When the couples were sufficiently aroused, they would engage in sexual intercourse on comfortable pillows.

Although the priestesses of Het Heret were most famous for their erotic dance, similar rituals also occurred in the temples of Bast, Aset [Isis], Sekhmet, Nuit, and many other Goddesses.

The priestesses would often enter into an altered state of consciousness during erotic dance, becoming the Goddess manifest in human form. On occassion the priestesses would experience compelling spiritual visions while in this eroticly charged state.

well, duh!

Date: 2004-05-12 12:47 pm (UTC)
From: [identity profile] pierceheart.livejournal.com
The recital I first saw [livejournal.com profile] tisana at was called The Goddess Dancing.

I have ALWAYS thought of Her when I see women belly dancing.

Re: well, duh!

Date: 2004-05-12 12:55 pm (UTC)
From: [identity profile] badseed1980.livejournal.com
Well, yes, but this is one specific goddess connected specifically with erotic dance. I don't blend them all together into THE GODDESS. Nor do I associate Middle Eastern dance with all goddesses. Your patroness, for example, would probably have little if any use for it.

Re: well, duh!

Date: 2004-05-12 12:57 pm (UTC)
From: [identity profile] pierceheart.livejournal.com
You are right about the Morrigan. She inspires/exhorts me to eventually learn the sword and targe dances. The dances of war, and of victory.

Re: well, duh!

Date: 2004-05-12 12:59 pm (UTC)
From: [identity profile] badseed1980.livejournal.com
I want to learn belly dance with swords.

I also want to learn floorwork.

Re: well, duh!

Date: 2004-05-12 01:01 pm (UTC)
From: [identity profile] pierceheart.livejournal.com
Yeah, some one once showed me the footwork for the sword dance, and I was okay with the preliminaries, but the crossing quarters is weird. And BOY does it work my claves out. Much of what I do at the fire circle, and sometimes at ManRay, is derived from the sword dance. you know, when I am up on my toes

Re: well, duh!

Date: 2004-05-12 01:05 pm (UTC)
From: [identity profile] badseed1980.livejournal.com
Yeah, that's a different style than you'd see from a belly dancer. They do mostly stuff that requires balancing the sword on their head, shoulders, hips, etc. I figure it would be pretty easy to balance it on the twins, to start with. Natural shelf. :) You can spin slowly like that, or do other moves while balancing them. It looks awesome. You'll see an example on the DVD I'm sending you.

Re: well, duh!

Date: 2004-05-12 01:08 pm (UTC)
From: [identity profile] pierceheart.livejournal.com
cool. much different, I agree.

Re: well, duh!

Date: 2004-05-12 01:36 pm (UTC)
From: [identity profile] tisana.livejournal.com
"They do mostly stuff that requires balancing the sword on their head, shoulders, hips, etc"

Not always. There was a dancer at Pennsic who incorporated moves that mimicked fighting--she said that it annoyed her when dancers used the blade as though they didn't know what it was meant for, dull or not. The sort of thing you'd imagine Kali doing.

Re: well, duh!

Date: 2004-05-12 01:37 pm (UTC)
From: [identity profile] badseed1980.livejournal.com
Ah, ok. I don't know if that's traditional for belly dance, but it sounds cool. I was referring to the stuff I've seen so far.

Re: well, duh!

Date: 2004-05-12 01:52 pm (UTC)
From: [identity profile] tisana.livejournal.com
Oh, you're right, it's mostly what I see, too. And while it's impressive and all to be able to balance, it really cuts into the things you can do with dance. I mean, I could tell the sword dancer at your recital was a great dancer, and it was frustrating to know that she could be totally flooring me with her moves when she was instead stopping to balance. Enh.

Re: well, duh!

Date: 2004-05-12 01:57 pm (UTC)
From: [identity profile] badseed1980.livejournal.com
But the ability to balance while turning, or while going down to the floor and undulating...that was something else! Dance isn't always about moving MORE.

Re: well, duh!

Date: 2004-05-12 02:01 pm (UTC)
From: [identity profile] ayalanya.livejournal.com
come to a drum circle some arisia! she's been there the last two, and at the most recent one she was displaying a level muscle control that leads me to believe that she'd be able to do a turkish drop without thinking.

Date: 2004-05-12 01:20 pm (UTC)
From: [identity profile] ayalanya.livejournal.com
*wants to learn this dance!*

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